Sarah Polyakova

Hello friends! The 'Tobias' font is coming, a dynamic and art nouveau feel. Tobias is very inspired by the art nouveau style with a slightly modern touch. It's perfect for branding, logo, packaging, header, title, t-shirt design, etc. Tobias is great if you pair it with an illustration, it will make the design even more dope.

Happy creating :)

Built in 1928 in Wichita, Kansas, the Uptown Theater started out as a movie house, but today still exists as a dinner theater.

Online images of this vintage venue’s perpendicular wall sign show the theater’s name in an Art Nouveau influenced angular style with rounded terminals – similar to that of pen drawn sign lettering of the era.

Adapted as a digital type font, Silent Film JNL is available in both regular and oblique versions.

A 1911 movie poster for a film called “How Bella Was Won” from the Edison studios had the name “Edison” hand lettered in a bold, spurred sans serif design.

These few letters became the basis for Movie Show JNL, which is available in both regular and oblique versions.

In the 1920 edition of “How to Paint Signs and Sho’ Cards” by E. C. Matthews is an example of what is termed “poster lettering” that is so free form and unusual it borders on the eccentric.

Resembling lettering more commonly found in 1960s “underground comics” of the Hippie generation rather than of the Art Nouveau period, it oddly enough works well in both styles.

This novelty typeface is now available as Hippie Comics JNL in both regular and oblique versions.

Art Nouveau serif capitals and numerals in the 1917 instructional book “A Roman Alphabet and How to Use It” were the inspiration for Show Card Roman JNL; available in both regular and oblique versions.

As the basis for this new font artist and designer Lena Schmidt used an old font design by her mother Jutta. At a young age, her mother drew and illustrated a lot with pen and ink. She made beautiful illustrations and many font designs. Schmidt chose one of these drafts - delicately drawn Donovan lyrics - as the basis for this digital handwritten stencil font. What emerged from it is a stencil text and display typeface that relates to Auriol's art nouveau typefaces and the era of impressionism.

More weights will be published in soon.

Published by Spirit & Bones

www.spiritandbonesdesign.com

Designed by Lena Schmidt

www.lenaschmidt.com

As the basis for this new font artist and designer Lena Schmidt used an old font design by her mother Jutta. At a young age, her mother drew and illustrated a lot with pen and ink. She made beautiful illustrations and many font designs. Schmidt chose one of these drafts - delicately drawn Donovan lyrics - as the basis for this digital handwritten stencil font. What emerged from it is a stencil text and display typeface that relates to Auriol's art nouveau typefaces and the era of impressionism.

More weights will be published in soon.

Published by Spirit & Bones

www.spiritandbonesdesign.com

Designed by Lena Schmidt

www.lenaschmidt.com

As the basis for this new font artist and designer Lena Schmidt used an old font design by her mother Jutta. At a young age, her mother drew and illustrated a lot with pen and ink. She made beautiful illustrations and many font designs. Schmidt chose one of these drafts - delicately drawn Donovan lyrics - as the basis for this digital handwritten stencil font. What emerged from it is a stencil text and display typeface that relates to Auriol's art nouveau typefaces and the era of impressionism.

More weights will be published in soon.

Published by Spirit & Bones

www.spiritandbonesdesign.com

Designed by Lena Schmidt

www.lenaschmidt.com

Acid Green has quite a psychedelic flair, but its origins are from long before the sixties psychedelia.

Its roots date back to 1914, from an unnamed alphabet by J.M. Bergling, the amazing jewelry engraver and 'letterform inventor'—as he considered himself—whose books of art alphabets and lettering influenced countless artists, including, not surprisingly, those involved with the genesis of Art Nouveau and Art Deco movements.

Perfect for multiple display uses, including retro designs and trippy letterings, Acid Green has an extensive character set, with multilingual support covering 208 languages. There are yet some handy stylistic alternatives for some extra grooviness.

Acid Green is somewhat retro looking, for sure, but it can sound perfectly contemporary too. Tune in and enjoy a creative trip!

[Pizza illustration on the first graphic by our neighbor @pedrocorrea84]

Neue Jugend is an art nouveau typeface orientated on letter shapes of original Jugendstil fonts.

The shapes are reduced to a straight modern look, so one could say it is the 21st century art nouveau.

Neue Jugend supports all latin languages and their is a little ligature to bring P and Y closer together, if wanted.

It is an uppercase typeface, so it is suggested to be used in headlines. For example on a poster or a book.

Neue Jugend is an art nouveau typeface orientated on letter shapes of original Jugendstil fonts.

The shapes are reduced to a straight modern look, so one could say it is the 21st century art nouveau.

Neue Jugend supports all latin languages and their is a little ligature to bring P and Y closer together, if wanted.

It is an uppercase typeface, so it is suggested to be used in headlines. For example on a poster or a book.