Sarah Polyakova

Marthias is a stylish font with a mix of modern and retro looks, very helpful for layout design projects, posters, logos, brands, packaging, vintage and modern style designs or for other designs.

Marthias is displayed between uppercase and lowercase letters in the same form, and Marthias is also equipped with multilingual to support more of your needs.

Mail support : maculinc@gmail.com

Thank you! Maculinc

This family contains 5 weights and ornaments to create an artistic touch to your projects.

Has tons of alternates and ligatures. Best for branding, Webdesign project, Clothing brand, logo design, valentine's greetings, packaging, and much more. Comes with a variable format as well as multilingual support, numbers, and currency symbols.

Images of ‘lost’ or forgotten signs from the past are on a number of sites all over the web.

One in particular partially revealed a vintage sign for “J. Yormark Shoes" behind a barbershop sign at 15 – 8th Avenue in New York City. The sign remained until 2014.

The stencil effect made by the formation of the stained glass letters inspired On Your Mark JNL, which is available in both regular and oblique versions. The font’s name is a play on the shoe vendor’s name… “Yormark”.

Unique and decorative signage for many drive-ins, motels, food stores and other businesses of the 1940s had what was referred to as “privilege signs” provided by one of the major cola brands.

Consisting of the brand’s emblem on a decorative panel, the remainder of the sign would carry the desired message of the storekeeper (such as “Drive-In”) in prismatic, embossed metal letters.

Inspired by the Art Deco sans serif style of those vintage signs, Privilege Sign Two JNL recreates the type design in both regular and oblique versions. The typefaces are solid black, but adding a selected color and a prismatic effect from your favorite graphics program can reproduce the look and feel of those old businesses.

This is a companion font to Privilege Sign JNL, which recreates the condensed sans serif lettering of other privilege signs from

the 1950s and early 1960s.

Built in 1928 in Wichita, Kansas, the Uptown Theater started out as a movie house, but today still exists as a dinner theater.

Online images of this vintage venue’s perpendicular wall sign show the theater’s name in an Art Nouveau influenced angular style with rounded terminals – similar to that of pen drawn sign lettering of the era.

Adapted as a digital type font, Silent Film JNL is available in both regular and oblique versions.

Around 1931, the Los Angeles Times (in partnership with the Richfield Oil Company) installed on its building a moving message board similar to the one at the New York Times in New York City which they dubbed an “electric newspaper”.

The style of characters used on this electronic sign were the basis for the namesake font Electric Newspaper JNL, which is available in both regular and oblique versions.

A blank space to place between words is available on both the solid bar and broken bar keystrokes.

Cat Fight is small decorative font family containing two "weights". They are not weights in actual meaning, as they differ by style but to secure safe OTF usage in all OS, they are named as Regular and Bold.

Cat Fight is ideal for lively and cheerful usages on posters, packages, labels, website titles, book covers and other similar situations.

Sugar Flash is my grungy comic handmade font: I suggest that you use it for something that has to do with a partyinvitation or maybe products for kids...and sweets!

A 1911 movie poster for a film called “How Bella Was Won” from the Edison studios had the name “Edison” hand lettered in a bold, spurred sans serif design.

These few letters became the basis for Movie Show JNL, which is available in both regular and oblique versions.

The words “Benny Goodman & His Orchestra” on an appearance poster for the band from 1936 were rendered in a beautiful semi-script style of hand lettering.

A 1930s advertising poster for the Inman Brothers Flying Circus offered up an interesting hand lettered Art Deco design that’s a cross between both squared and rounded character shapes. 

Because of it's 'futuristic look', the resulting type style can also lend itself to 1970s and 1980s retro projects as well as those from the 1930s and 1940s.

Now a digital font, Air Circus JNL is available in both regular and oblique versions.

A “Flying Circus” is a troupe of ‘barnstormers’ (stunt pilots) who performed aerial tricks either individually or as a team along with selling airplane rides to the general public. 

The thin and stylish Art Deco lettering of a neon sign above the Greyhound bus terminal entrance in a 1930s New York City photo inspired Transit Station JNL, which is available in both regular and oblique versions.

A 1930s WPA (Works Progress Administration) poster advertising an exhibit of New Jersey area posters had its main lettering rendered in a very condensed hand lettered interpretation of the ever-popular Futura Black Art Deco style.

This has now been re-drawn and digitized as Art Event JNL, in both regular and oblique versions.

Ruthless Bold handmade Rough Brush Font with ligature and Multilanguage support.

Best for halloween poster, horror poster, childrenbook, cartoon, comic etc.

In the 1959 premiere season of “The Untouchables” (based on the book by Eliot Ness and Oscar Fraley) the opening title jumps off of the cover of the book and stretches out into tall, extremely condensed lettering.

This inspired the type font Federal Agent JNL, which is available in both regular and oblique versions.

Convicted JNL is a condensed, chamfered sans serif type design inspired by opening credits from the 1940 film of the same name – available in both regular and oblique versions.

Lettering Lesson JNL is a bold serif alphabet found within the pages of the 1922 instructional booklet from the St. Louis Show Card School, and is available in both regular and oblique versions.

In the 1920 edition of “How to Paint Signs and Sho’ Cards” by E. C. Matthews is an example of what is termed “poster lettering” that is so free form and unusual it borders on the eccentric.

Resembling lettering more commonly found in 1960s “underground comics” of the Hippie generation rather than of the Art Nouveau period, it oddly enough works well in both styles.

This novelty typeface is now available as Hippie Comics JNL in both regular and oblique versions.

Art Nouveau serif capitals and numerals in the 1917 instructional book “A Roman Alphabet and How to Use It” were the inspiration for Show Card Roman JNL; available in both regular and oblique versions.

In the opening scenes of the 1938 Three Stooges comedy “Tassels in the Air” the Stooges are working as maintenance men inside an office building. Their immediate job requirement is to paint the tenants’ business names on the corresponding office doors with pre-cut stencils. Of course, they get it all wrong.

Nonetheless, the stencils appear to be a hand cut sans serif design in a squared or ‘block’ style with rounded corners, and some of the applied lettering made for an interesting challenge to recreate as a typeface.

The end result is Maintenance Stencil JNL, which is available in both regular and oblique versions.