Showing posts with label headlines. Show all posts
Showing posts with label headlines. Show all posts

[fbfrs] Download Soulfunk fonts from Olivetype

Soulfunk

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Soulfunk is a stunning and authentic hand brush font with a graffiti style feel. Get inspired by its unique charm, and turn any design project into a true stand out. This brush typeface is supporting Multi-Languages, which include: Afrikaans Albanian Catalan Danish Dutch English Estonian Finnish French German Italian Norwegian Portuguese Spanish Swedish Zulu.


So what's included:

  • Basic Latin A-Z & a-z.
  • Numbers, symbols, and punctuations.
  • Multilingual Support.
  • Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß


Thank You.


Soulfunk
Soulfunk



Soulfunk


[jfdpt] Download Lunch Show fonts from Epiclinez

Lunch Show

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Lunch Show is a cute, friendly yet thick lettered display font. It embodies playfulness and it's the right choice for product packaging, logotype, games, children, or school projects.


So what’s included:

  • Basic Latin A-Z & a-z.
  • Numbers, symbols, and punctuations
  • Multilingual Support.
  • Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß

Thank you


Lunch Show
Lunch Show



Lunch Show


[pqrpz] Download Lunch Show fonts from Epiclinez

Lunch Show

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Lunch Show is a cute, friendly yet thick lettered display font. It embodies playfulness and it's the right choice for product packaging, logotype, games, children, or school projects.


So what’s included:

  • Basic Latin A-Z & a-z.
  • Numbers, symbols, and punctuations
  • Multilingual Support.
  • Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß

Thank you


Lunch Show
Lunch Show



Lunch Show


Download Alga Fonts Family From Nova Type Foundry

Download Alga Fonts Family From Nova Type Foundry
Download Alga Fonts Family From Nova Type Foundry Download Alga Fonts Family From Nova Type FoundryDownload Alga Fonts Family From Nova Type Foundry



Alga is a high contrast modern typeface with a contemporary look. It has subtle details that make it appealing for big sizes and headlines. It is a lively and charming serif typeface with lots of fancy curves.

It is a serif typeface that will shine in headlines and short pieces of text. It also works in smaller sizes, but it is not for the tiny text sizes.

Alga started from an exploration of the thinner weight with this idea of a tall and elegant serif typeface with low contrast. Then it evolved to be a high contrast font in the bold weight. But always keeping its style and personality.



Download Alga Fonts Family From Nova Type FoundryDownload NowView Gallery


Download New Yorker Type Classic Fonts Family From Wiescher Design

Download New Yorker Type Classic Fonts Family From Wiescher Design


New-Yorker-Type was one of the first typefaces I tried my hand at in 1985. I meant it as a revival of the typeface used by the New Yorker magazine. I did not scan it. I just looked at the type and redrew it completely by hand. Only much later did I come to know, that there is a bundle of similar typefaces of that period. Rea Irvin's design for New-Yorker magazine was just one of them, maybe the best. In the next step I repaired some of the mistakes that I made more than thirty years ago. Now on the eve of 2020 I gave the font a complete overhaul and added a set of Swash Initials, Cyrillic and Greek glyphs and many ligatures. The font now has 1075 glyphs and is all set for most latin writing systems. On top of that I made two versions, a Classic one with rounded corners and a pointed Pro version for a more up-to-date look. Take your pick. Yours sincerely, honoring Rea Irvin a great type- and magazine-designer, Gert Wiescher


Download New Yorker Type Classic Fonts Family From Wiescher Design


Download Flintlock Fonts Family From CozyFonts

Download Flintlock Fonts Family From CozyFonts

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The Flintlock Font Family has a Bold personality. The 'Rough' version of the Flintlock Font has a hand-carved or hand-etched edge, carefully crafted for each of over 300 glyphs. Caps, lower case, all numbers, fractions, accents and European characters that work in over 70 languages. 'Classically Built with a Vintage Flair'. Vintage in the American West Tradition that might have been forged and implemented from the 1860s through the 1930s and consequently fresh again. Flintlock Rough can be envisioned on many things dated from 1860 to present day. The font is available in 3 basic weights as of this release date. There are other versions on the drawing board... Flintlock Rough works extremely well with Posters, Branding, Movie Titles, Invites, Stationary, Signage, Embroidery, Letterpress, Ads, Logos and anything that feels Industrial or Hand-Crafted, eg. Coffee, Breweries, Antiques, Woodcuts, Western Styles, Sports Styles, Holidays, Menus, and more. Flintlock Flat & Flintlock Flat Italic are the siblings to Flintlock Rough without the hand-carved edge but rather clean with slightly rounded corners and edges. Extremely Legible, Bold and best used in all the same application descriptions mentioned above and more, specifically contemporary uses and settings, eg. Sports, Titles, Branding, Headlines, Logos and more. Curiously the Flat & Italic versions of Flintlock work extremely well in 1960s and 1970s settings.

Download Flintlock Fonts Family From CozyFonts
Download Flintlock Fonts Family From CozyFonts



Download Flintlock Fonts Family From CozyFonts


Download Hebron Hebrew Fonts Family From Jonahfonts

Download Novata Fonts Family From Eurotypo

Download Albireo Fonts Family From Cory Maylett Design

Download Albireo Fonts Family From Cory Maylett Design

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Albireo is a typeface for those times when you have more to say than space to say it. It also looks fantastic spread out across the page as though space doesn’t matter. Expertly crafted with a high level of attention to detail, Albireo is an immensely practical and flexible typeface that’s neutral enough to be used almost anywhere a highly condensed, sans-serif face is needed. Despite its down-to-earth functionality, this is a typeface that definitely isn’t lacking in style. It really shines when used for headlines or subheadings in magazines, brochures, posters, newspapers, flyers or on the web. With 42 weights, widths and italics, there’s enough flexibility to make every word fit perfectly. You may buy one font at a time or save money by purchasing packages consisting of the 14 fonts in each width (Extra Condensed, Condensed or Semi Condensed). Save even more by purchasing the entire collection and, in addition to the 42 separate fonts, you'll receive two variable fonts (upright and italic) that cover all the weights, widths and everything in between. So where does the name come from? Well, look upwards at night. Albireo is a binary star in the constellation Cygnus. Through a backyard telescope, Albireo (the star) resolves into two brilliant component stars — one orange and one blue. The beginnings of the typeface were the result of me needing a newspaper feature headline about space exploration. I couldn’t find the right typeface, so I drew my own letters and eventually expanded it out into an entire mega-family. Given its origins, naming it after my favorite star seemed totally appropriate. Check it out. I think you’ll love it. Albireo deserves its place as a shining star in everyone’s font collection. It’s that good — really.

Download Albireo Fonts Family From Cory Maylett Design
Download Albireo Fonts Family From Cory Maylett Design



Download Albireo Fonts Family From Cory Maylett Design


Download Koya Sans Font Family From JAM Type Design

Download Koya Sans Font Family From JAM Type Design

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Koya Sans is a contemporary, humanist sans with a friendly yet clear and distinct personality. It is designed for excellent legibility, particularly for long continuous reading. The sharp terminals add liveliness and variety to the carefully crafted letterforms. Koya Sans, a highly versatile type family consisting 12 styles that are designed to work equally well on paper and on screen. The family ranges from Thin to Black variations, with complimenting italics. Inspired by a trip to the Buddhist temple of Kōyasan south of Osaka, Japan, this carefully crafted sans serif typeface with its sharp terminals loosely emulating the sharp corners of the temple’s pagoda roof.

Download Koya Sans Font Family From JAM Type Design
Download Koya Sans Font Family From JAM Type Design



Download Koya Sans Font Family From JAM Type Design


Download Fractus Font Family From Eurotypo

Download Fractus Font Family From Eurotypo

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The requirements of Middle Ages scribes who copied and produced books in monasteries were fundamentally to preserve space, due to the high cost of the writing surface. During this long period of the development of Gothic forms, many other variations of the style of black letters appear: Textur or “Gothic-antique”, another group called Rotunda preferred by Italian and Spanish scribes. In 1490, the style "Bâtarde" (according to the the French classification) began to be widely used in Germany with more rounded shapes and named Scwabacher (probably derived from the city of Schwabach, but not certified) Fractur is a more condensed and narrower form than Schwabacher. This style is attributed to Johann Neudörfer of Nuremberg, cut in 1513; it was quickly imitated, therefore a few years later became to be a German national identity that extended over the next four centuries. The shape of its characters can be considered as a fusion of Texture and Schwabacher: the lowercase actually has medium strictly vertical and half curved strokes. The first expressions of the baroque influence this writing whose appearance of movement is due to the ornaments applied to the uppercase letters and the ascending and descending features of the lowercase. Despite having spent so many years and being a typeface not suitable for extensive reading texts, the Gothic Fractur has endured over time for possessing a strong and solid characteristic, as well as being closely linked to the spirit of gothic cathedrals of countries in northen Europe. In fact, it is probably that this expressive feature leads them to be chosen in the most varied graphic communication needs, which run from from banks and financial companies, insurers, law offices, publishers, newspapers and TV networks, till alcoholic drinks, funeral tombstones, packaging and even tattoos.

Download Fractus Font Family From Eurotypo
Download Fractus Font Family From Eurotypo



Download Fractus Font Family From Eurotypo


Download Mister Giacco Pro Font Family From Sudtipos

Download HT Qays Sans Font Family From HadiTypeStudio