Sarah Polyakova

Are you throwing a party, growing eco friendly potatoes or having a babyshower?

Is so - go ahead and give Smartburst a try for the design. The friendly and rounded edges makes the letters look soft and legible.

I've added 5 different versions of each letter, and they automatically cycle as you type. Or, you can choose them individually from the glyph menu.

Are you throwing a party, growing eco friendly potatoes or having a babyshower?

Is so - go ahead and give Smartburst a try for the design. The friendly and rounded edges makes the letters look soft and legible.

I've added 5 different versions of each letter, and they automatically cycle as you type. Or, you can choose them individually from the glyph menu.

Huai and Huai Thai marks the first professional typeface release by Potch Auacherdkul and represents the culmination of research into the duality of influences between handwritten, vernacular Thai lettering and Latin typefaces. The result is a warm, expressive typeface that doesn’t abandon the human hands and the language that produced them.

With Thai script, there are two different terminal styles—the Loop terminal style, associated with the original forms of Thai glyphs; and the Loopless, which has evolved to best coordinate with Latin sans serif typefaces. In recent years, this Thai Loopless style has continued to influence and even change to become ‘more Latin.’ One would go so far as to define these heavily Latin-influenced typefaces as Thai Latinized. This curiosity with shifting influences,  turns the idea around and explores what would happen if the vernacular Thai scripts actually influenced their Latin counterparts instead.

An Inversion of Thai Latinized is the result. The street signs of Bangkok, local vernacular writing, quick, fluid strokes… these influences form the DNA behind the Huai Thai typeface. Refining and systematizing those natural, handwritten strokes into a Thai typeface and then using those solutions to serve as the pioneer proportions behind the development of its Latin script companion was the product. Huai adopted the essence of these Thai glyphs into the Latin and uniquely embraced the contemporary writing system (and soul) of the Thai people in its letterforms.

Almarose is a geometric sans serif OpenType font designed by Fanny Coulez and published by S&C Type. Functional with a little distinctive touch, Almarose comes with 9 weights with italics, from Thin to ExtraBlack, and was designed for all uses like texts, web or headlines. Merci beaucoup.

Pelita is a sans serif family which is divided into 2 sub-families, Regular and Grande. Pelita is designed with a terminal that forms a curved angle on one side so as to give the impression of representing firmness and softness. The grande version is a modified version of the main version, but is designed more streamlined with curves and more extreme angles.