Sarah Polyakova

Binomic is a sort of monospaced font family. "Sort of" because it was not designed with the sole purpose of being used as a coding font, but rather as a nice alternative to monospaced fonts in graphic design projects. It's a friendly mix between your average fixed-width font and a more geometric, wider sans, thus more of a display font than a text one. The Binomic family has both upright and slanted versions, each in four convenient weights. The family is equipped with 480+ glyphs, has Latin Extended and Cyrillic support (both Russian and Bulgarian), oldstyle figures, as well as a set of cute technical characters, alternates and symbols. The Binomic family is clean, amiable and really versatile, so it will fit most design applications - from greeting cards, menus, merchandise, book covers and packaging materials to websites and apps. It is legible and modern, kind of sleek but without any pretensions.

A font perfect for not just one, but many projects! Introducing Pro, a sans that loves to be used in just about any situation! Designed with ultra clean lines and versatility in mind, Oceanwide wants to be your new favorite sans!

Oceanwide’s ultra clean letters work anywhere you want to communicate orderliness and competence, and designed to build trust and rapport with your audience. Its wide proportions make it ideal for display and logo use.

Oceanwide especially shines for white/bright letters on black/dark backgrounds! That’s because the inside shapes are nearly perfect circles in many weights.

We've tested Oceanwide for these industries, with stunning results!:

• Tech
• Arts
• Fashion & Style
• Business & Branding
• Corporations
• Logistics
• Architecture
• Food
• and many more...

Oceanwide can be used for:

• Headers
• Subheadlines
• Logos
• Even body text, if tracked.
• Print & Screen

The styles it can take are also many. It's great for:

• Modern/minimalist design
• Flat design
• Cut out design
• User Interface (UI)
• Technical designs
• In combination with text effects, even for grunge and other situations.
• And many others...

DESIGN FEATURES

• Simplicity
• Tall x-height
• Hand-sloped obliques (italics)
• Narrow spacing
• Semi-wide proportions
• Expert kerning
• Well proportioned, usable lights & extra lights
• Large caps
• Great ALL CAPS MODE
• Uppercase punctuation
• Uppercase spacing with California Type Foundry’s Smart Tracking™
• Advanced fraction support
• Proportional lining figures
• Thick joins
• Smooth curves
• Sturdy—great for textures and effects
• Variable font available
• Latin Pro character set for Central European languages. That's the writing for over 782 languages and transliterations worldwide!

DESIGN STORY—THE FORGOTTEN SANS

by Dave Lawrence, Lead Designer, California Type Foundry

Adrian Frutiger was the 20th century master of sans, but I didn't realize he had made—not one—but TWO geometric sans!

It wasn't until I had purchased the book “Adrian Frutiger: Typefaces”. I had hoped to someday meet Adrian Frutiger, but he passed away that very same year.

Here is the story of Frutiger's forgotten sans. Back in 1968, Frutiger was approached by Pentagram to make a design for British Petroleum. They wanted a "new version of Futura". However, they wanted him to make a couple adjustments. First, they felt that Futura was "too fiddly." By this, they meant that it narrowed too much at the joins. (Joins are for example where the round and straight parts of the 'd' meet.) This is something that is necessary for small print text (to prevent ink clogging), but is not necessary at large sizes.

Second, they wanted it to be entirely geometric, using the circular shape with minimal optical corrections.

Unfortunately this font was not even used very consistently in the BP brand. A haphazard mix of Futura and Frutiger's BP font ensued. It was then replaced by another font design very soon after.

My design is different in several ways. First, the commas and quotes are a more modern style. I tried his original commas, but these just didn’t work to 21st century eyes. Second, in his drawings, Frutiger went for a more standard u with a downstroke on the right. However, Oceanwide has a simpler u.

Third, I made more optical adjustments. At the direction of his employer, Frutiger reluctantly put no font optical corrections into the letters. So I think my optical adjustments are similar to what Frutiger would have wanted.

Fourth, I extended the weight into the light and extra light ranges.

Fifth, the rest of the font I created according to the principles of Adrian Frutiger, but with no sources for inspiration.

Here is Frutiger’s design philosophy, in his own words: “If you remember the shape of your spoon at lunch, it has to be the wrong shape. The spoon and the letter are tools; one to take food from the bowl, the other to take information off the page... When it is a good design, the reader has to feel comfortable because the letter is both banal and beautiful.”

The words about the spoon were the ones I kept in my mind as I tried to make the curves ultra smooth, and the shapes ultra simple.

Hopefully this font is a worthy successor to the font that inspired it.

Released on the 93rd birthday of Adrian Frutiger, to celebrate the life and achievements of this amazing designer.

———————

Simplicity. Versatility. Oceanwide.

Happy Single is a casual doodle typeface/font designed with carefully handcrafted. This perfectly made to be applied in logo or branding, stationery, books, packaging, fashion, magazines, t-shirt, greeting or wedding cards, vintage design, novels, labels and many advertising purposes.

Unison Pro is an extended sans serif typeface. The family includes 8 fonts with stylised caps and a rounded version for each. Unison has bold and light minimal extended glyphs making it great for headers, logos, posters, titles and much more. The stylised caps included allow users creative control for creating unique typography.

• 8 Fonts Total
• 4 Font Styles
• Stylised Caps
• Multilingual
• Over 1700 Glyphs

Protofo is a modern-humanist sans-serif with characters that features various geometric shapes — from square, round and triangle. Protofo comes in 16 styles — upright and italic — from thin to black with each equipped with features such as localized, ligature, fraction, ordinal, superscript, numerator, nominator, subscript, proportional and tabular numerals.

Protofo is also equipped with extended latin letters which can represent multi languages so making it perfect for any kind of project (display, editorial, web, interface, app, etc).

Hi everyone, I would like to introduce my newest font. Rastalia Script is a beautiful modern calligraphy typeface, I hope you will be interested in this font, if you want to use it for your work.

This font can be used easily and simply because there are many features in it. contains a complete set of upper and lowercase letters, a wide variety of punctuation marks, numbers, and multilingual support. fonts also contain a lot

ligatures and many others contain alternative Style Sets like the heart swash alternative.

Amberlayton Signature Font, with monoline stroke, condensed and fun characters. It has Opentype features of ligatures, makes it a perfect choice for branding and digital designs. Use this font for logos, social media, websites, blogs, instagram, social media, business cards, branding, and more! Amberlayton font support multilingual more than 100+ language. and good pair for your secondary text font with sans or serif. Make a stunning work with Amberlayton signature font. 

Cheers,

MaulanaCreative

Alara Script is a calligraphy script font that comes with exquisite character changes, a kind of classic decorative copper script with a modern twist, designed with high detail for an elegant style.

Alara Script is attractive because it is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because it has many fancy letter joints. I also offer a number of decent stylistic alternatives for multiple letters. Classic styles are very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or all kinds of advertising purposes. .

Alara Script has 450+ Glyph alternative characters, including multiple language support. With OpenType features with alternative styles and elegant binding. The OpenType feature works automatically, but you can access it manually and for the best results necessary for your creativity in combining these variations of the Glyph.

DinoTracks is a novelty or letterbox font in which the letters are formed with dinosaur footprints.  It is readable at small point sizes, but then one cannot see that the letters are made from footprints

Gendis is a complete fonts pack for build brands, comes in three different styles and extras. This complete package is perfectly for all your creative work such as branding projects, packaging design, ads and more.

To enable the opentype stylistic alternates, you need a program that supports opentype features.

Garnita Script is a modern calligraphy font with the current handwriting style, this font is perfect for branding,

wedding invites, magazines, mugs, business cards, quotes, posters, and more, you can try it first if you want to buy this font.

Garnita Script is equipped with 364 glyphs.  Having many of these glyphs there will be able to choose the letters according to your likes, lots of variations and options for each letter, so you can customise your design choices.

To use a variety of glyphs, you need a program that supports

OpenType features such as Adobe Photoshop Cs / Adobe Photoshop CC, Adobe Illustrator CS / Adobe Illustrator CC, Adobe Indesign, and CorelDraw and many more programs that support OpenType.

 If you do not have a program that supports OpenType, you can access all the alternate glyphs using Font Book (Mac) or Character Map(Windows).

 Thanks and happy designing 

Thank You for your purchase !